Rory Rennick’s exhibition explores the captivating and rarely seen world of Black-imaged playing cards. Tracing their historical roots and uncovering the allegories embedded within certain decks, Rennick also examines their fascinating role in advertising. From hidden beginnings to contemporary marketing, Black-imaged playing cards have become more than tools for games — they stand as enduring symbols of culture, art, and communication.

Rory’s historically unique collection spans from the late 1880s to the present day. Alongside the cards are accoutrements such as ephemera and figurines depicting Black people engaged in the pastime of playing cards, making this exhibition truly unmatched. In fact, it is recognized as the world’s largest collection of its kind. Sourced and researched from dozens of countries, the collection gives this exhibition a distinctly international footprint.

Rennick did not sacrifice quality in building his vast, museum-caliber displays. “Overwhelming” is a word often used by attendees to describe Art, Allegory, and Advertising in Black-Imaged Playing Cards. Visitors quickly notice the care taken to curate more than 150 of the most vibrant, inspiring, and provocative pieces from his extraordinary collection.

The exhibition’s debut at the 52 Plus Joker convention moved some of the most dedicated card collectors and researchers to tears. No one had ever seen a collection like this before. Person after person exclaimed, “This exhibition should travel!” Now it will.